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This is an article on a play from Marathi Natak written by writers Lochya Zala and Amruta Zala. It is about a man who in a forgetful state of mind meets a woman in his dream, and the events that follow. The article discusses the theme of psychological elements in plays which connect with various nature scenes mentioned throughout the play. It also talks about how these scenes help create an environment for viewers to experience different emotions such as sadness or elation with their characters. The play begins with a man who is lying on his bed and is fast asleep. While he is asleep, we learn that the man has had a traumatic experience of losing his wife due to illness and has been unable to get over it. The main character in the play is the man's dreaming mind and consciousness, but it also represents self-realization or enlightenment. His dream, which he creates all on his own, is an expression of his longing for an ideal female companion/companionship. The story revolves around another woman, named Manjari (discussed more later), whom the unnamed protagonist comes across in his dream state and falls head over heels for. The woman, Manjari, is portrayed to be the man's ideal woman. She has all the qualities that he is looking for in a partner; she is smart, hard working, understanding and overall a tool of his self-realization. However, the man's dream begins to stray away from reality when he meets Manjari in its stages. With this portrayal of reality in mind, it can be said that Lochya Zala has managed to masterfully portray the schizophrenic experience of being pulled between two worlds, that of reality and fantasy. The characters are woven together through these experiences because both are struggling with their own psychological state. The characters are as follows: Manjari is the female lead of the play. She is described as being young, sweet looking, but also very strong willed. Her character represents many things to many people in the story, including an angel of protection for the man and to whom he pledges his love. To create Manjari's character Lochya Zala uses her own life experiences which includes her time working with cancer patients at a cancer hospital in Pune . Lochya Zala got married in 2005 and after she was diagnosed with cancer it caused her to take time off from work and spend more time getting back into shape after extensive surgery. This means that she spent more time with her mother-in-law, who was in the cancer ward. Lochya Zala even admitted that she wanted to be with her mother-in-law so much because she could relate to her. This is important because the beginning of the play is actually an excerpt from Amruta Zala's short story Aabhas (Haze) in which she tells the reader about Manjari who has died and entered into another person's dream in order to lead them onto the right path. This shows how Lochya Zala uses Manjari as a symbol in order to help others, like herself, who are struggling with their own psychological turmoil. cfa1e77820
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